Video Program

Video Program in the Library. With film/video by: Gabriele Stötzer, Künstlerinnengruppe Erfurt, Janet Grau, Chan-kyong Park, Kyungman Kim and Liu Ding

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Video Program
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Blackout, Chan-kyong Park, 2009, video, 3:50 min
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Flying, Chan-kyong Park, 2005, video, sound, 13 min
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Rückblick/Viewing, Janet Grau, 2003, video, 23 min
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Long Live His Majesty, Kyung-man Kim, 2002, 13 min, HD
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Gift, (2), Liu Ding, 2011, video, 2:51min
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Fashion for Women by Women Fashion-Object Show, by Gabriele Stötzer, Künstlerinnengruppe Erfurt - the Women Artist Group Erfurt, 1988, from Irmgard Senf, original 8mm/video
http://thegermanlibrarypyongyang.de/assets/_1200xAUTO_crop_center-center_75/Stötzer_Modenschau-1988_3-copy.jpg
Fashion for Women by Women Fashion-Object Show, by Gabriele Stötzer, Künstlerinnengruppe Erfurt - the Women Artist Group Erfurt, 1988, from Irmgard Senf, original 8mm/video
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Fashion for Women by Women Fashion-Object Show, by Gabriele Stötzer, Künstlerinnengruppe Erfurt - the Women Artist Group Erfurt, 1988, from Irmgard Senf, original 8mm/video

Gabriele Stzötzer was one of the founders of the women artist group Erfurt during the 80s in the GDR. The women made paintings, weavings, pottery, 8mm films and later started to make several performances in churches in Erfurt. The women were looking for ways to express themselves individually in a controlled society, dominated by men. The women artists could only perform in private spaces or in churches. This video shows a Fashion-Object-Show in the Agustine monastery in Erfurt. People were making self-made outfits. Gabriele Stötzer: ‘This was art for everybody, with an egalitarian, democratic approach. That kind of fashion was not exclusive, but accessible’. For the show they were looking for models – normal women, not the women seen in fashion magazines – and many women responded to it.

Rückblick/Viewing, Janet Grau, 2003, video, 23 min

Rückblick/Re-Viewing shows a total of 30 people describing paintings. This multi-part installation is based on video material that was filmed in the depot of the ‘Kunstfonds des Freistaates Sachsen’ (State Art Fund). Once belonging to the ‘Büro für Bildende Kunst des Rates des Bezirkes Dresden’ (an official visual arts institution in the former East Germany), the artworks that were used are now part of the Kunstfonds collection. From amongst the over 21,000 works of the collection, Janet Grau chose 15 pictures, which were then presented to the Rückblick/ Re-Viewing participants. Before seeing the selection of pictures, those invited to participate neither knew what sort of paintings they would be faced with, nor did they know that these would be images from the former GDR. Over the course of several days, the participants came one by one to the depot, where they each selected ‘their’ picture. They were not told which paintings the others had chosen, nor did they receive information regarding the artworks (artist’s name, title of the work, date, etc.). I asked them each to describe their chosen work of art to me, but provided no guidelines as to how the artworks should be described. The picture itself remains concealed from the camera as well as the audience – only the backside of the painting is visible. The video material invites us to observe the speakers, their gestures, their searching gaze and their moments of discomfort. We are witness to their struggle to capture the picture in words. Instead of a debate concerning political contexts for art or questions regarding its value, we observe intimate, individual encounters with paintings. The question of the quality of these works remains unanswered – that is, neither negative nor positive assumptions are made, as has often been the case when works of the Socialist Realism period are shown. Instead, the focus is on the dynamics of viewing art itself, as well as the attempt to capture this experience in words. The image is reflected in the faces, words, and attitudes of the participants, but remains hidden from view in the final installation. We have only an empty backside, an ironic commentary on the absence of these images in the public realm.

Flying, Chan-kyong Park, 2005, video, sound, 13 min

In June 2000, the first North-South summit after the Korean War took place. This film is edited from TV sources recording the flights from South Korea via Pyongyang, the airport and the streets of Pyongyang. The video’s soundtrack is taken from the beginning of Isang Yun’s 1977 composition Double Concerto, which was inspired by the myth of Gyeonu and Jiknyeo. According to the myth, the King of Heaven punishes the couple’s lack of diligence by stranding one of them on a star in the west and the other on a star in the east. However, the couple succeeds in reuniting for one day a year, on July 7, when birds who took pity on them built a bridge across the Milky Way. Yun compared the myth to North-South relations. The distance between North and South is as far as the distance across the Milky Way. The encounter of Gyeonu and Jiknyeo symbolises reunification. Yun, when he composed the piece, may have been imagining the infinite number of birds needed to build a bridge spanning the galaxy. Unable to return to his divided country, Yun died an exile – in a newly reunified Germany, no less.

Blackout, Chan-kyong Park, 2009, video, 3:50 min

In North Korea, the ‘Joseon Painting’ describing forceful seas and waves is a genre. The ‘Revolutionary Romanticism’ of these paintings brings to mind the chronic insufficiency of energy in North Korea. The ‘National Forms’ of these paintings remind me of the giant power plants from the West investigating the potential for exploitation of oil and gas in the North Korean Sea. The Joseon painters of the Mansudae Art Studio perfectly serve their political role in North Korea. Chan-kyong Park his ‘video art’ appropriating their art wastes the electricity.

1     ‘Waves of Haegumgang’ (Study of wave shape from Joseon painting, author KIM Sung-Guen, 2.16 Art Education Publishing, 2003), which was published in North Korea contains 60 photo images of wave paintings. In this book, the way of painting the sea and waves as ‘Joseon Painting’ is explained in detail over 120 pages.

2     In 2000, hydroelectric power plants generated about 67% of North Korea’s electricity. As a result of the electricity shortage, North Korea has resorted to a rationing system. The country often experiences blackouts for extended periods of time, and power losses due to an antiquated transmission grid are high.

3     At present (2002), South Korea has not agreed to supply the North with electricity from its own transmission grid. North Korea also has reportedly discussed the possibility of electricity aid with Russia.

4     As it is considered to be a geological extension of China’s Bohai Bay, the West Korea Bay of North Korea may contain hydrocarbon reserves. Corporations such as Sweden’s Taurus Energy AB, Britain’s Soco International and Aminex PLC are investigating the potential for exploitation of oil and gas of the North Korean sea.

Gift, (2), Liu Ding, 2011, video, 2:51min

This was a birthday gift commissioned by a collector for her own birthday that appears in the form of a three-screen video installation. I took the clip of Marilyn Monroe singing ‘Happy Birthday’ to President Kennedy at his birthday party in 1962, cut it into fragments and inserted between her singing writings I did about having dreams and expectations in life. These are the writings I put down to intersect Monroe’s singing: For some people, dreaming is an everyday practice, an internal programme, a natural way of being.
Imagining a position other than the one that they are already in. Anticipating being in a position other than the one that they are already in. Longing for a situation other than one that they are already in.

Long Live His Majesty, Kyung-man Kim, 2002, 13 min, HD

Daehan News was the name of a propaganda film series made by the Korean government press from 1952 to 1994. During this time, Daehan News produced one film clip per week. Long Live His Majesty is a sampling of the Daehan News series from 1952 to 1960. Long Live His Majesty is about dictator Rhee Syngman who was the first president of South Korea. He appears in this film as the man for whom every day is celebrated as a birthday. If the United States defines North Korea as a dictatorial country of totalitarian insanity, this is due not from a misunderstanding of North Korea, but by a misunderstanding of the United States. If the majority of Americans knew what has happened this last century, like how the U.S. government has supported war crimes and dictatorships, maybe they may find it difficult to talk about North Korea in this way. Likewise, when South Korea makes a definition about North Korea as a one-man-worshipping, totalitarian society, they can’t avoid a certain irony. The irony is that during the last several decades, South Korea was absolutely a country run by several one-man dictatorships. South Korea has been in the same situation as North Korea except for one thing – the tyrant has changed several times. The fact that people have shown such hostility to North Korea and have at one point worshipped a tyrant such as President Rhee as ‘Our great father’, is ironic.

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  • The Essential Guide to Analytical Chemistry

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  • Optical Spectroscopy in Chemistry and Life Sciences: An Introduction.

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  • Modern Practice of Gas Chromatography

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  • Principles of Analytical Chemistry: A Textbook

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  • Springer Berlin

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  • 540 Mei

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  • Analytical Atomic Spectrometry with Flames and Plasmas

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  • 540 Gre

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  • Radicals in Organic Synthesis

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  • 540 Ren

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  • Columns for Gas Chromatography: Performance and Selection

  • Barry, Eugene F. /Grob, Robert L.

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  • 540 Bar

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  • Advanced Organic Chemistry: Part A: Structure and Mechanisms. - 5., th ed.

  • Carey, Francis A. /Sundberg, Richard J.

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  • Advanced Organic Chemistry: Part B: Reaction and Synthesis. - 5., th ed.

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  • Functional Organic Materials: Syntheses, Strategies and Applications

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  • Active Oxygen in Chemistry

  • Foote, C. /Valentine, J.S. /Greenberg, A. /Liebman, J.F.

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  • Acid Catalysis in Modern Organic Synthesis

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  • WILEY-VCH

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  • Organic Synthesis Workbook

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  • 540

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  • Organic Synthesis: The Disconnection Approach.

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  • Eliel, Ernest L. /Wilen, Samuel H.

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  • 540 Eli

  • 1994

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  • Organic Structures from Spectra.

  • Field, Leslie D. /Sternhell, S. /Kalman, J. R.

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  • 540 Fie

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  • Handbook of Combinatorial Chemistry: Drugs, Catalysts, Materials

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  • 540 Han

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  • Chemische Reaktionstechnik: Mit MATLAB und SIMULINK

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  • 670 Löw

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  • Handbook of Heterogeneous Catalytic Hydrogenation for Organic Synthesis

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  • 2001

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  • The Logic of Chemical Synthesis.

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  • 540 Cor

  • 1995

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  • Adsorptionstechnik

  • Bathen, Dieter /Breitbach, Marc

  • Springer Berlin

  • 660 Bat

  • 2001

  • 3-540-41908-X

  • Mathematische Modellierung der Absorption nitroser Gase in Füllkörperkolonnen

  • Wiesner, Udo

  • Shaker

  • 660 Wie

  • 1997

  • 3-8265-2788-7

  • Experimentelle und theoretische Untersuchungen zur chemischen Absorption am Beispiel der Koksofengasreinigung

  • Mayer, Jörg

  • Logos Berlin

  • 670 May

  • 2002

  • 3-89722-862-9

  • Absorptionswärmepumpen

  • IRB Verlag

  • 621

  • 1986

  • 3-8167-0027-6

  • Arbeitsordner Wärmepumpe: Moderne Heiztechnik ohne Öl und Gas

  • Marketing + Wirtschaft

  • 621

  • 2004

  • 3-922804-40-3

  • Modern Drying Technology: Volume 1: Computational Tools at Different Scales: Bd 1

  • Tsotsas, Evangelos

  • WILEY-VCH

  • 540 Tso

  • 2007

  • 3-527-31556-X

  • Freeze-Drying

  • Oetjen, Georg W /Haseley, Peter

  • WILEY-VCH

  • 540 Oet

  • 2003

  • 3-527-30620-X

  • Adsorption aus überkritischen Lösungen

  • Lübbert, Matthias

  • Shaker

  • 660 Lüb

  • 2004

  • 3-8322-3296-6

  • Membrane Technology and Applications

  • Baker, Richard W

  • WILEY-VCH

  • 570 Bak

  • 2004

  • 0-470-85445-6

  • Membranes in Clean Technologies: Theory and Practice: :2 Bde/Tle

  • Koltuniewicz, Andrzej Benedykt /Drioli, Enrico

  • WILEY-VCH

  • 570 Kol

  • 2008

  • 3-527-32007-5

  • Membrane Technology: In the Chemical Industry

  • Pereira Nunes, Suzana

  • WILEY-VCH

  • 570 Per

  • 2001

  • 3-527-28485-0

  • Synthetic Pyrethroid Insecticides, Structures and Properties

  • Naumann, Klaus

  • Springer Berlin

  • 630 Nau

  • 1990

  • 3-540-51313-2

  • Insecticides with Novel Modes of Action: Mechanism and Application

  • Ishaaya, Isaac

  • Springer Berlin

  • 630 Nau

  • 1998

  • 3-540-63058-9

  • Natürliche Schädlingsbekämpfungsmittel

  • Schmutterer, Heinrich /Huber, Jürg

  • Ulmer

  • 630 Schmu

  • 2005

  • 3-8001-4754-8

  • Optical Filter Design and Analysis: A Signal Processing Approach

  • Madsen, Christi K /Zhao, Jian H

  • WILEY-VCH

  • 620 Mad

  • 1999

  • 0-471-18373-3

  • Insecticides Design Using Advanced Technologies. - 1. Ed

  • Springer Berlin

  • 630

  • 2007

  • 3-540-46904-4

  • Synthetic Pyrethroid Insecticides. Chemistry and Patents

  • Naumann, Klaus

  • Springer Berlin

  • 630 Nau

  • 1990

  • 3-540-51314-0

  • Wirbelschichtklassierung von Feinstkornsuspensionen im Zentrifugalfeld

  • Schmidt, Jens

  • Books on Demand

  • 660 Schmi

  • 2005

  • 3-8334-4054-6

  • Continuous dynamic mixing of cohesive powders

  • Kehlenbeck, Volker

  • Shaker

  • 660 Keh

  • 2007

  • 3-8322-5726-8

  • Zerkleinerung nicht-spröder Stöffe in Rotorscheren und Reissern

  • Woldt, Dirk

  • Technische Universität Bergakademie Freiberg

  • 620 Wol

  • 2005

  • 3-86012-254-1

  • Sewage Sludge Gasification in the Circulating Fluidized Bed: Experiments and Modeling

  • Petersen, Inga

  • Shaker

  • 660 Pet

  • 2004

  • 3-8322-2436-X

  • Biomass Gasification in Germany: Final Country Report for the EC Research Project "Analysis and Co-ordination of the Activities concerning Gasification of Biomass", Contract No.:AIR3-CT94-2284

  • Storm, Christian /Moersch, Oliver /Spliethoff, Hartmut

  • Universität Stuttgart Inst. f.Verfahrenstechn

  • 570 Sto

  • 1998

  • 3-928123-33-5

  • Zur trennscharfen Feinstsichtung in Fliehkraft-Abweiseradsichtern

  • Bauer, Ulrich

  • Shaker

  • 540 Bau

  • 2003

  • 3-8322-1420-8

  • Workshop III: Bd 3

  • Weiss, Gustav

  • Neue Keramik

  • 640 Wie

  • 1995

  • 3-9802217-5-X

  • Kohle Koks Kultur. Die Kokereien der Zeche Zollverein

  • Osses, Dietmar /Strunk, Joachim

  • Stiftung Industriedenkmalpflege u.Geschichtskultur

  • 380 Oss

  • 2002

  • 3-935783-09-4

  • Analyse und Evaluierung der thermo-chemischen Vergasung von Biomasse

  • Landwirtschaftsvlg Münster

  • 660

  • 2007

  • 3-7843-3433-4

  • Workshop I: Bd I

  • Weiss, Gustav

  • Neue Keramik

  • 640 Wie

  • 1996

  • 3-9802217-8-4

  • Workshop II: Bd 2

  • Weiss, Gustav

  • Neue Keramik

  • 640 Wie

  • 1997

  • 3-9802217-9-2

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